You know, working for a newspaper as a book reviewer really does have its perks. Besides getting copies of new/awesome books, being exposed to new authors, and having the privilege of introducing yourself as "The YA book reviewer of Such-and-Such Newspaper", I also get the AMAZING opportunity to interview and meet really cool and talented authors.
Like Sarah Dessen. I mean, she's awesome, right? Her talent for writing books and telling stories is out of this world, and I got to interview her! Plus, she's going to be in Boise this coming Saturday (June 8th) for her newest book, The Moon and More (review here). Want to meet her in person? Have her sign your book copy? Make the trip, I promise it will be worth it.
Hastings
7500 Fairview Ave
Boise, Id 83704
“The Moon and More” is so different from your other work, what made you want to make this change of direction?
Like Sarah Dessen. I mean, she's awesome, right? Her talent for writing books and telling stories is out of this world, and I got to interview her! Plus, she's going to be in Boise this coming Saturday (June 8th) for her newest book, The Moon and More (review here). Want to meet her in person? Have her sign your book copy? Make the trip, I promise it will be worth it.
Hastings
7500 Fairview Ave
Boise, Id 83704
“The Moon and More” is so different from your other work, what made you want to make this change of direction?
I didn't set out for it to be that
different, to be honest. I'd written before about a girl going to the beach for
a summer and having her life change, and I was intrigued by writing about it
from the inside. What is it like to be permanent in a place that to everyone
else only exists in summer? And this is my eleventh book. I think I have to
change things up now and then, or else I'll just be repeating myself.
What was your inspiration for
Emaline’s story?
I was on vacation in Emerald Isle,
NC, the town that is basically my Colby, sitting by the pool. At the time I was
super-burnt out on writing and really sick of myself, two things that often
happen when I'm finished writing and promoting a novel. I wasn't sure I'd ever
write anything again. (That often happens, too.) But then this pool guy walked
in. He was cute and shirtless, dragging a bunch of hoses, and a real talker. We
said hello and the next thing I knew he was telling me his life story, all
about being from the island and what it was like to live there as a local year
round, his job, his family, everything. When he left fifteen minutes later, I
was like, "Well, there's the next book." It was like he'd just handed
it to me.
What differences do you notice
between writing for Young Adult versus New Adult? Do you have a preference
about writing one over the other? Do you have plans to do more New Adult in the
near future?
The truth is, I'm not really even
sure what New Adult is! I guess it's post-high school? Post-college? I've never
been one for labels when it comes to what I write. I had a teenage narrator in
my first novel, THAT SUMMER, but never thought of it was YA at all. When my agent
suggested it was, I was really worried about getting stuck in a genre and never
getting out. Shows what I know: I couldn't be in a better place. That said, I
do think that eventually my narrators will grow up a bit more, maybe past
adolescence and into their twenties. A lot has happened to me since high
school. So we'll see.
A lot of people may look at the YA
genre and think that it’s an “easy” genre to write for, but actually, it’s
pretty challenging--collecting all that angst and drama and putting it on the
page in a believable manner for kids actually living that timeframe. How are
you able to do that so well? Do you have specific memories you go back to from
that time period in your life to recapture those feelings/experiences?
I was actually pretty miserable in
high school. I couldn't WAIT for it to be over. And when it finally was, I
remember sitting at graduation with all these classmates getting nostalgic and
emotional already and all I could think was, "Get me OUT of here. I never
want to see you people again." So it's ironic that I now spend half my day
putting myself back there by choice. I think the voice clicks with me, though,
because I WAS so unhappy. Those feelings of inadequacy and confusion...they're
not so easily forgotten. It also helps I still live in my hometown. Most days I
drive past my high school on the way to drop my kid at preschool. So it's
always there, whether I like it or not.
What would you say is the most
rewarding part of writing for the YA audience? Any specific story you've received
from a reader that’s really stuck with you that you’d like to share with us?
The best part of writing YA is the
readers. No question. As adults, we get excited about books, but teenagers are
often JUST having that experience where they connect fully with something on
the page. The greatest compliment I get is, "This is just like my school!
These are just like my friends! How did you KNOW?" I'm also incredibly
flattered when people tell me that the books helped them through high school.
Because of my own experience, the thought that something I wrote might help
someone who felt the way I did when I was a teen...that's huge. It awes
me.
It’s probably pretty hard to do, but
out of the several books you've written, do you have
a favorite? And if so, which one and why?
It's really hard to pick a favorite.
I feel like it isn't fair! And each book represents who I was at the time I
wrote it. That said, as far as the writing experience, THIS LULLABY was the
most fun. Usually writing is a grueling death march sort of thing for me,
peppered with the occasional great day. But that one was like hanging out with
friends. I never wanted it to end. When I brought Remy and Dexter back into
JUST LISTEN, I was really struggling with it, and I just wanted to follow them
back out the door. They were so easy to write in comparison!
What does your writing process look
like?
I normally write in the afternoons,
from about 3-5. It's a holdover from when I first started doing it seriously,
when I had a morning job as an assistant to a local writer and waited tables at
night. It was the only time I had, and I got used to that being when I worked.
Ideally, when I have a book in progress, I write every day, although it's a bit
more challenging now that I have my daughter. I'm very disciplined. It's the
one thing I have going for me. Finally, a use for all my guilt!
Now for the “fun” questions! What
book did you just finish reading?
RECONSTRUCTING AMELIA, by Kimberly
McCreight. It's about a teen who dies mysteriously and how her mother tries to
figure out what happened. I could NOT put it down. I see it being a huge book
this summer, kind of like GONE GIRL was last year.
E-reader or old-fashioned
book?
Both! I usually have one book in
progress on my iPad and another by my bed. Plus another on audio in the car. I
listen mostly to nonfiction, however. I love celebrity biographies while I'm
running errands.
Editing on paper or screen?
My editor and I still exchange
actual manuscripts, with her edits and comments in the margins. Then I make all
the changes on screen and send them back to her and we do it again, until it's
done. It's how I've always done it. I think I might be too superstitious to
ever get more modern about the process.
If you could co-author a book with
any other author (alive or dead) who would it be and what would it be
called?
Honestly, I think I'm way too much
of a control freak to co-author anything with anyone. I have a hard enough time
writing with myself! I admire people that can do it, but it's not for me.
Although it would be nice, during the harder stretches, to pass it off to
someone else, saying, "Okay! Your turn!" I see the appeal in
that.
No comments:
Post a Comment